Great to see so many people enjoyed my RPIG/Solmukohta report (at least relative to my usual traffic).
I take this as a cue to resume blogging for a while, with somewhat shorter entries.
This semester I have presented on 3 diverse topics at 3 very different academic conferences. According to my CV, they were:
• “Adventures in Stagnation: Gottfried Kolditz’s Unfilmed DEFA Project Zimtpiraten (1984)” At: Northeast Modern Language Association Conference 2012. Rochester, NY, March 15-18, 2012.
• “DEFA and the Third World: A Taxonomy of Transnationalisms” At: Society of Cinema and Media Studies Conference 2012. Boston, MA, March 21-25, 2012.
• “Empty Bodies and Time in Tabletop Role-Playing Game Combat.” At: Role-Playing in Games Seminar. Tampere, Finland, April 10-11, 2012.
So, East German pirates, transnational film theory as applied to East German films regarding the Third World, and how tabletop role-playing combat frames time and bodies. I’ll leave all that to the reader for digestion.
Writing projects dominating the rest of my schedule until the end of April include:
1. My final dissertation chapter: Dyer on DEFA: White Labor Power in East German Musicals
…in which I argue for a critical race theory that can address the appropriations made by sorta-well-meaning East German musicals — particularly Revue um Mitternacht (1962, above) and Meine Frau macht Musik (1958). Some use blackface, exoticized revue sequences and the juxtaposition of free jazz as an East German progressive phenomenon (really?) vs. the oppressive big band revue music of the evil capitalists of yesteryear. A confusing hodge-podge to unpack to say the least. Oh, and I use Richard Dyer’s theories a lot.
2. The finished article on DEFA made-for-TV pirate films that I presented in embryonic form at NeMLA. It’s about DEFA’s willingness to adopt new genres and ideologically suspect material in order to compete for increasingly scarce East German TV eyeballs. Gojko Mitic makes one swarthy pirate.
3. A co-authored article with my advisor Barton Byg on film education in Germany: Divided Dirigisme: Regionalism and Reform in the German Film Academies. We are presenting this work in Hong Kong in May and I am otherwise plowing through catalogs of student films, statements and charters inaugurating film schools and other items to get a sense of how German film education fits into larger pictures of German education across the Bundesländer.
Many interesting questions buzzing about me on my laptop, and so little time until the end of the semester to answer them. Here’s to a successful end-of-April push!
Leave a Reply